21.05.2026 –, Dorfplatzbühne Sprache: English
Our musical is both a performance and a statement, against patriarchy and heteronormativity.
Within the piece, we question
gender roles by examining
the narratives many of us
grow up with: children’s
stories and cultural scripts
that normalize toxic
heteronormative
relationships and train
women* to perform care,
compliance, and harmony.
Through humor, exaggeration,
and visual intensity, we
expose these structures. The result is loud,
uncomfortable, and deliberately distinct.
We are three FLINTA* people who started a punk band
two years ago. From the beginning, it was about
creating space—for our voices, our bodies, and our
stories. We rehearsed, wrote songs and used music as
a way to respond to the times we are living in. we
decided to set a clear sign: to turn our music into
something bigger, louder. Not just a band, but a
statement. We gave ourselves a clear direction—no
compromises, full commitment.
After one rehearsal, with a few songs finished, we
had the idea of turning the project into a musical.
And somehow, that’s exactly what happened. Today, we
don’t just play songs. We perform a punk musical set
with a storyline, choreography, assigned roles, and
little gimmicks, some of which are completely
absurd.
The music is driven by heavy, thick beats, often rave-
like, driving, loud—music that not only wants to be
heard, but also felt physically. It’s not meant to
stay in the background. The audience isn’t expected
to stand still, but to be right in the middle of it,
dancing, reacting, becoming part of the show.
We move between punk, performance, musical, and
rave. We talk about emotions, relationships, power,
overload, and self-empowerment—raw, direct,
sometimes funny, sometimes uncomfortable. No gloss,
no distance, but lots of energy, closeness, and
collective moments of escalation.
